Canterbury, part II

Leica M8, 21/1.4 Summilux-M ASPH. It's surprisingly dark inside a church. But the strong light makes for very dynamic images if used correctly.

Canterbury, part I

I think more amazing is not the architecture and sheer size of Canterbury cathedral itself, but rather the fact that they built it when the majority of the population was living in thatched huts.

I'm heading to Europe for a few days, more to come when I return.

Leica M8 and 21/1.4 Summilux-M ASPH

Resilience

Children are tough. They experience things and deal with them most times, and somehow find ways of coping. In the aftermath of the recent earthquakes in Sumatra, I met a few hardy kids who were taking it all in their stride.

so what does bokeh at 21mm look like?

At close distances, surprisingly very much like the 50/1.4 Summilux-M ASPH stopped down a little. This was shot pretty close to the minimum focus distance, and wide open. (All images shot with the Leica M8 and 21/1.4 Summilux-M ASPH.)

Although backgrounds in middle distance are quite blurred, there's still enough definition to be able to tell what's in the background.

If you don't have any cues in your image as to scale or geometry, it's quite easy to believe that you're shooting with a normal or moderate tele:

Backgrounds are always busy, because it's a superwide and the further away from the camera you get, the more there is going on. So no matter how fast your aperture, the relative blur you can achieve compared to a longer focal length is always going to be significantly less - just look at the depth of field scales.

At longer distances, there's just enough defocus to separate the subject from the background - it looks MUCH better with a large image, or better yet, a print. This has the nice advantage of giving a photo a more 3D feel thanks to that separation.

Overall, the 21 'lux actually has a bit of a schizophrenic personality: at closer subject distances - say below 1.5m - it shoots and renders like a short tele; you have to be very careful of your focus point. At around 5m, it devolves into a supremely competent classical wide: focusing precision isn't that critical and you can mostly get away with zone focusing. Even wide open at f1.4 you've got enough depth of field to cover everything to infinity.

Bottom line: not as much isolation as I'd have thought or liked, but opens up new opportunities when light starts to get low, or your subjects are a little closer...

continuing the urban monologue

No better way to loosen up a focusing ring than by shooting...

Petticoat Lane, London

Leica M8, 21/1.4 Summilux-M ASPH

Yet another protest, St. Martin-in-the-fields Church, Trafalgar Square, London

Leica M8, 21/1.4 Summilux-M ASPH

Just your average migrants

Leica M8, 21/1.4 Summilux-M ASPH

Up, London Bridge

Leica M8, 21/1.4 Summilux-M ASPH

Clink Street, London

Leica M8, 21/1.4 Summilux-M ASPH

The Leica 21/1.4 Summilux-M ASPH review

Is now up.

The Leica 21/1.4 Summilux-M ASPH review

all about the skies

No doubt about it, winter is coming.

Technical note: no HDR mapping. Just a good old fashioned red filter overlay to darken the blue channel.

Hooded

Tate Modern, London

Leica M8, Zeiss ZM 21/2.8 Biogon

The call

Southbank, London

Leica M8, Zeiss ZM 21/2.8 Biogon

Discussion

Tate Modern, London

Leica M8, Zeiss ZM 21/2.8 Biogon

NB: What looks like a halo from overprocessing is actually a serendipitous cloud formation.

Reading

Southbank, London

Leica M8, Zeiss ZM 21/2.8 Biogon

Girl talk

Southbank, London

Leica M8, Zeiss ZM 21/2.8 Biogon

London Peace Week festival

A number of events held in a temporary setup in Trafalgar Square to promote tolerance and understanding between different racial groups in London - mostly it was a R&B concert, though. Interesting to note some distinct racial separations still persisting amongst the crowd: Africans at the front, Caucasians at the back.

And yes, the M8s locked up. Both of them. One once, and the other three times. Did I lose shots? One or two. Must be more careful with the buffer in future.

The Stage

Nikon D90, 105/2.8 VR

Crowd

Leica M8, Zeiss ZM 21/2.8 Biogon

Drums

Leica M8, Zeiss ZM 21/2.8 Biogon

Yeaaaaaah

Leica M8, Zeiss ZM 21/2.8 Biogon

Addictive

Leica M8, Voigtlander 50/1.1 Super Nokton

Kiss FM DJs

Leica M8, Zeiss ZM 21/2.8 Biogon

Before the show

Leica M8, Zeiss ZM 21/2.8 Biogon

Those 'your momma so fat' jokes

Leica M8, Zeiss ZM 21/2.8 Biogon

untitled

Leica M8, Zeiss ZM 21/2.8 Biogon

Better view

Leica M8, Zeiss ZM 21/2.8 Biogon

Stop

Leica M8, Zeiss ZM 21/2.8 Biogon

Inspired by Kenny

Leica M8, Zeiss ZM 21/2.8 Biogon

A contender for Bruce Willis: Die Hard 6: Still Not Dead

Leica M8, Voigtlander 50/1.1 Super Nokton

Man on a mission

Leica M8, Zeiss ZM 21/2.8 Biogon

Center of attention

Leica M8, Zeiss ZM 21/2.8 Biogon

the difference an hour makes

Before the show (and one of the reasons I dislike working with models)

Leica M8, Zeiss ZM 21/2.8 Biogon

After the show

Leica M8, Zeiss ZM 21/2.8 Biogon

More to come from the London Peace Week Festival soon...

One shot

Yin and yang

City Hall, London

Leica M8, Voigtlander 50/1.1 Super Nokton

protest

Protesters blockade Richard Barnbrook (London representative of the British National Party) from entering City Hall to face tribunal charges of allegedly inciting racial hatred in his constituency for his fascist remarks.

A case of being in the right place at the right time with a camera...

Richard Barnbrook defends allegations (light suit)

City Hall, London

Leica M8, Zeiss ZM 21/2.8 Biogon

Richard Barnbrook defends allegations (light suit)

City Hall, London

Leica M8, Voigtlander 50/1.1 Super Nokton

A vocal protester accuses

City Hall, London

Leica M8, Voigtlander 50/1.1 Super Nokton

Banners

City Hall, London

Leica M8, Voigtlander 50/1.1 Super Nokton

Bob Bailey (BNP events organizer) responds to the protesters with libel of his own

City Hall, London

Leica M8, Zeiss ZM 21/2.8 Biogon

Bob Bailey (BNP events organizer) slanders the protesters

City Hall, London

Leica M8, Zeiss ZM 21/2.8 Biogon

Demonstrations continue long after Barnbrook enters City Hall

City Hall, London

Leica M8, Zeiss ZM 21/2.8 Biogon